Sunday, May 31, 2009

julian beck's questions


Researching for a new Threshold piece BEAUTIFUL NON-VIOLENT ANARCHIST REVOLUTION, based on diaries of Julian Beck and Judith Malina--there is a section in Becks diaries where he asks a series of questions which still seem so relevant:

questions 1963

what is the difference between questions and answers

why do you go to the theatre

is it important to go to the theatre

is it important to read

do people who go to the theatre differ from people who don't go to the theatre

what happens to you if you go to the theatre

when you leave the theatre have you changed, that is of course you are changed by each moment of experience so three hours later you are naturally different, but i mean have you changed actively

do you want to change actively

are you content

is it good to change

is anything sufficient unchanged

do you go the theatre for answers

do you have any questions

does it matter how we live

what is happening to us

what happens in the theatre

do you go to the theatre to find out about life

is it easier to observe life in the theatre or in the street

have you experienced joy in the theatre

have you experienced joy in the street

what do you enjoy

do you get sensations in the theatre

do you go to the theatre for intellectual exercises

do you go to the theatre to find out if it has figured out what is going on

do you go to the theatre because it might be telling the truth

is anything that is the truth

are newspapers the thruth

do playwrights record the truth more than editors

do newspapers lie do playwrights lie do actors lie

do playwrights or editors or actors lie deliberately

do you got the theatre to see how well an actor can disguise himself as somebody else

do you think that actors should try to personify excellent being

what is excellent being

can an actor show you excellent being
what is useful

what is a good question

what is a way to find answers

what will knock down the prison walls

what is the way

what is the relationship between the actor and the spectator

what is speech

what is the important enquiry

do we have time to ask all the questions

which ones do you want to ask

will you ask them now

what do we need

how can we get it

how can we touch one another

how can we make it happen

how can we make a theatre which makes love now

how can we make a theatre which is worthy of the life of its spectators

how can we make a theatre when we do not know any answers but only vague hints about how to ask questions

i end with questions because i have no answers

but what i want is answers

questions 1968

how do we feed all the people

how do we stop all the wars

how do we open the doors of all the jails

how do we disintegrate violence

how do we obliterate racism

how do we get rid of money (capitalism)

how do we undo early death

how do we end militarism

how do we put an end to authoritarian systems

how do we end the class system thing

how do we find the answers to these questions

how do we do it now